Order Description;

This is based on the concert at the La philharmonic association during February 6th 2015 the brilliant brass.

Conductor: Andrew Manze
Trumpet: Thomas Hooten
Horn: Andrew Bain

The pieces performed were: Total of 4
Mozart: Symphony No.35 in D Major, K 385 (“Haffner”)
Haydn: Trumpet Concerto in E-Flat major
Mozart: Horn Concerto No.4 in E-Flat major K.495
Haydn: Symphony No. 104 in D major (“London”)

What pieces were performed?
What was the style of each of the pieces performed?
What was the instrumentation of the orchestra?

Analyze each piece played in the concert with following criteria from the course:

Unity and Variety

Structure of the Music

Purpose of the Music

Tempo

Volume

Rhythm

Melody

Harmony

Form

Historical Period

Did you enjoy the concert? Why or why not?

No sources required. It is a personal essay with personal opinions.

Answer;

Introduction

The brilliant brass was a concert at the Los Angeles philharmonic association held on February 6 2015 and attended by masses of people. The concert featured two of the Orchestra’s finest rising stars; Trumpet Thomas Hooten and Horn Andrew Brain. The classical music program featured Haydn’s trumpet concerto Mozart’s masterful and melodious horn concertos during the three-day concert at Los Angeles. The conductor of the program was Andrew Manze. Both Trumpet Thomas Hooten and Horn Andrew Brain were debutants and hence the visiting audience expected a lot from them. During the concert, four pieces were performed, which included Mozart: Symphony No.35 in D Major, K 385 (“Haffner”), Haydn: Trumpet Concerto in E-Flat major, Mozart: Horn Concerto No.4 in E-Flat major K.495, and Haydn: Symphony No. 104 in D major (“London”). The orchestration involved the use of flutes, oboes, horns, trumpets, solo trumpet, timpani, and strings to bring out the originality of each piece performed.

Mozart: Symphony No.35 in D Major, K 385 (“Haffner”)

Haffner, a classical piece by Amadeus Mozart was created in 1782 to accompany celebrations of Sigmund Haffner who was a friend to Mozart. Haffner was composed in the historical period when symphonies had started becoming famous. The music was unique and included two minuets and an introductory march. Additionally, it had four distinctive sections that gave it the uniqueness, which included allegro con spirito, andante, menuetto, and presto. The instrumentation of the music included two flutes, two oboes, two clarinets, two bassoons, two horns, single timpani, and strings. The Haffner symphony was in the D major category and was fortunate with the winds. Therefore, this could be the reason that made Mozart like the music a lot. The music was meant for celebrations and thus its rhythm is fast making people remain lively all through. The symphony is composed of different and exciting dynamics to bring a high tempo for the joyous mood. The tempo used is ideal, as it is that whose beats consists of triplets. The beats are therefore performed faster compared to the ones in eight meter.

In addition, the volume of the music is high to match the rhythm and the high tempo of the piece. Mozart harmonized the beats to make sure that the music remained fashionable evoking the audience. Structural notes are recognizable from the fast beats and the audience is able to articulate the message accordingly. The D major has a constant tug between two key threads providing a pleasurable contrast both enthusiastically and harmoniously. The length of the symphony is approximately twenty minutes giving the audience ample time to enjoy it fully. In addition, it is composed in a high volume to signify the importance of the occasion. The virtual movements and the thematic concern of the music gives it the unique characteristics and hence suitable for the occasion intended. The melody of the music features a number of vocal lines that accompany the string in irregular beats comprising of rests and accents.

Haydn: Trumpet Concerto in E-Flat major

Haydn wrote the trumpet concerto to a friend called Anon Weidinger. While writing the work, Haydn had an agenda of persuading Weidinger into the new lifestyle of music by becoming a band musician. He also changed some parts of the work after getting into contact with it for the first time. The music is composed of three varied movements namely, Allegro, Andante, and allegro during its composure in 1796. The music was originally developed using a keyed trumpet that could play a range of beats. The Concerto includes a number of melodies in the middle with low tempo to accommodate other instruments. Moreover, the genre is classified under the classical type of music as a concerto. Main orchestral instruments used during its production included strings, timpani, two natural trumpets, two flutes, two oboes, two horns and two bassoons. The concerto remains one of the first exploiters of the new technology by using a modern trumpet.

The slow but extensive movement of the compound meter increases the mockery of parody to ensure the concerto performs its intended duty. The lyrical synthesis is standard making it easy to pass the message and it is associated with the pastoral siciliana. The use of double allegory in the concerto indicates a faster execution of actions using the instruments. Therefore, this concludes that the tempo of the music must have been standard throughout its performance during the concert. High tempo is regarded as a detractor hence Haydn had to minimize it and keep it at an optimal level. Tempo and volume are almost interrelated although volume focuses on the waves created during the presentation of the piece of art. A high tempo requires a sharp and raised volume to accompany the high beats. In this case, the volume was maintained at an optimum to go level with the tempo of the concerto.

The rhythm of the music was standard exhibiting unique dynamics. Repetitions in the music are numerous in order to create the desired rhythm. The numerous repetitions make the theme of the music appear definitely and hence the audience can deduce the meaning with a lot of ease. The opening of the concerto depicts a distinct theme and its varied repetition clearly suggests humorous stylization throughout the music. In addition, the audience gets to articulate the deeper meaning from the alternating fast and slow movements of the beats. The rhythm leads to the development of a melody that makes the piece appealing to the ears. The melody is brought about by the perfect combination of tempo and rhythm, which further lead to the harmony of the music. The concerto theme starts with a notable second high beat followed by a triplet beat that sets the mood to relaxing. Additionally, the architecture of the music is notable from the rhythm, harmony, and melody applied initially. The synchronization of the beats places the concerto as a standard genre in terms of form. The composer must relate to the past while addressing current issues to ensure fulfillment of audience expectations.

Mozart: Horn Concerto No.4 in E-Flat major K.495

Amadeus Mozart composed horn Concerto E-flat major in 1786 and it became very popular. The music in composed in three movements namely; allegro maestoso, romance, and allegro vivace (Rondo). Mozart considered the piece as a witty bait to attract his friend Joseph Leutgeb most likely to join the classical music career. The main melody consists of exciting and luring sections to acquire the attention of the audience. Mozart works have not used horns extensively and the concerto remains to the second in the category. However, the composition and melody is based on the capacity of the horns resembling the first ripieno horn. The duration is no longer than twenty minutes making it interesting to the intended audience. The performance at the Los Angeles philharmonic association gave the genre a notable recording. The music hence automatically joins the concertos category.

The concerto does not require further explanations because it is self-explanatory and the audience can derive the meaning very Fast. Melody and rhythm have played a great role in ensuring these characteristics remains throughout the piece of art. Phrases are repeated at specific intervals to give the concerto its rhythm. The supplement must have been in Mozart’s mind since the beginning making it a reason why he does not use notational prompting. However, it seems as if the concerto is more concerned with running out the possibility for elaborative distortion of the harmonious typecast throughout the textural inversion and successive ornamentation. The clearly marked thrills from the concerto that occur at specific points in phrases thus give the music its rhythm and melody.

Elaborations made by the use of slashes define the form and tempo of the genre. Mozart uses simple but elaborative connotations to lure the audience because they are easily understood. Additionally, the tempo acts as a source of inspiration because it is well planned and implemented. Use of alternating rising and falling tempo creates the harmony required in passing the message. Therefore, the message in successive phrases remains clear and thus the audience is able to articulate the message as intended.

Haydn: Symphony No. 104 in D major (“London”)

Symphony no. 104 D major marks the last symphony by Haydn. The symphony is included in the 12 London symphonies and was composed in 1795. The difference noted between this symphony and the first symphony is that the latter had an aristocratic diversion. The symphony was intended for a number of audiences that were not specific and lasted for the duration of half an hour. The audience considered the music as worthwhile because it was not boring at all. Movements involved in the composition include adagio (allegro), andante, menuetto that was composed of trio allegro, and allegro spiritoso as the finale.

The ascent that modulates the composure from the beginning depicts a strongly contemptuous theme. The rhythmic reduction and increase at specific phrase defines the rhythm of the set piece. The style in which it is presented increases sophistication of the theme to fulfill the satire it is intended. The tempo and harmony of the symphony are described through the successive fall and rise of pitch. The work utilizes the compound signature of 8 and 8 to ensure the melody is maintained. The form in which the symphony is written maintains a fluency in all the possible meters. The melodic subdivisions are analogous throughout the piece of art making it simple to understand and harmonious.

Conclusion

In conclusion, the concert was enjoyable for the better part of it. The orchestra presented a serene atmosphere and the audience was able to associate with different circumstances. The presentations made relieved the audience from different life experiences. In addition, the concerto was comforting and hence individuals who had been experiencing mental distress that they had been going though at that time. Music is regarded as nourishment for the soul. The performers ensured that their presentations passed the intended message.

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